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In Margins, a solitary woman discovers a battered, coverless book hidden among second-hand castoffs. Drawn in by its damaged pages and awkward prose, she begins to read—only to find the story reflecting her surroundings with uncanny precision. As the lines on the page shift and mirror her world, her flat begins to echo the narrative, blurring the boundary between reader and story. What begins as quiet intrigue dissolves into disquieting unreality, where memory, perception, and self unravel line by line. Subtle and unsettling, Margins invites readers into a space where nothing is said outright, but everything is off—a story that lingers long after the final page. Comparable works include The Haunting of Hill House - Shirley Jackson; Don’t Look Now - Daphne du Maurier; The Hospice - Robert Aickman